|
Sir Godfrey Seymour Tearle (12 October 1884 – 9 June 1953) was a British actor who portrayed the quintessential British gentleman on stage and in both British and US films. ==Biography== Born in New York City and brought up in Britain, he was the son of British actor/manager George Osmond Tearle (1852–1901) and American actress Marianne "Minnie" Conway(1852-1896),〔( Ancestry.ca: Marianne "Minnie" Conway )〕〔(Marianne Tearle; socialarchive.iath.virginia.edu )〕 the brother of actor Malcolm Tearle, and the half-brother of silent film star Conway Tearle. His maternal grandmother was Sarah Crocker Conway. In 1893, he made his stage debut as young Prince Richard, Duke of York, in his father's production of ''Richard III'', and in 1908 he appeared in his first film as Romeo in ''Romeo and Juliet''. He became a Shakespearean actor of note, appearing on stage in the title roles of ''Othello'', ''Macbeth'', and ''Henry V''. His theatrical career was interrupted when he joined the Royal Artillery for a four-year stint beginning in 1915. One of Tearle's most memorable screen roles was in Alfred Hitchcock's ''The 39 Steps'' (1935), in which he portrayed Professor Jordan, a seemingly respectable country squire whose missing finger unmasks him as an enemy agent. He was cast as an RAF gunner in ''One of Our Aircraft Is Missing'' (1942), a German General in ''Undercover (film)'' (1943), an aging World War I veteran in ''Medal for the General'' (1944), and as Franklin D. Roosevelt in ''The Beginning or the End'', MGM's 1946 account of the Manhattan Project. Tearle made his Broadway theatre debut in ''Carnival'' in 1919. In his review in ''The New York Times'', Alexander Woollcott noted, "It is difficult to guess why Godfrey Tearle should have selected as the vehicle of his American debut the play called ''Carnival'', which was presented to New York for the first time last evening at the 44th Street Theatre. It is a spare and unsubstantial piece at best, and the role it offers him is distinctly secondary in importance and opportunity."〔(''New York Times'' review of ''Carnival'', 25 December 1919 )〕 Additional Broadway credits include ''The Fake'' (1924), ''The Flashing Stream'' (1939), and ''Antony and Cleopatra'' (1947). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Godfrey Tearle」の詳細全文を読む スポンサード リンク
|